 Artist: Kyuss: mp3 download Genre(s): Metal Metal: Alternative Discography:  ...And The Circus Leaves Town Year: 1995 Tracks: 11  Welcome To Sky Valley Year: 1994 Tracks: 11  Blues For The Red Sun Year: 1992 Tracks: 14  Wretch Year: 1991 Tracks: 11  Queens Of The Stone Age Year: Tracks: 6 Hailing from Palm Desert, CA, Kyuss (marked "kai-uss") has turn something like a heavy metal eq to the Velvet Underground. Although they are wide acknowledged as pioneers of the prospering lapidator stone scene of the 1990s, the band enjoyed slight commercial success during their abbreviated creation, merely their combination of sludgy, down-tuned guitars (a great deal played through a bass adenosine monophosphate for maximum, earthshaking intensiveness), spacy jams, galloping convulse alloy rhythms, and organic drums became a blueprint, often copied, only never quite replicated by innumerable resistance alloy bands. Formed in 1990 by vocalist John Garcia, guitarist Josh Homme, bassist Nick Oliveri, and drummer Brant Bjork, Kyuss (named after a character from Dungeons & Dragons) began electronic jamming at supposed "desert parties," in and around the isolated towns of the Southern California abandon. The band step by step built a local following, sign-language with tiny main label Dali Records, and released their first base album, Poor devil, in 1991. Under-produced and under the weather financed, the album failed to fascinate the band's live sound and went mostly unnoticed until sporadic touring started earning Kyuss a reputation as a fierce hot unit, as well as the esteem of many blighter musicians. One of these, Masters of Reality singer/guitarist Chris Goss, clear-cut to institute out the band's succeeding endeavor, and the collaboration eager fruit in 1992's stunning Blue devils for the Red Sun. Soon hailed as a turning point by critics and fans alike, the album took the underground metallic element domain by storm and accomplished the signature Kyuss sound in one case and for all: the doom heaviness of Black Sabbath, the feedback bull of Blue Cheer, and the blank space stone music of Hawkwind, infused with psychedelic flashes, massive grooves, and a surprising sensitiveness for punk stone, alloy, and flail. Based on this sudden tide of interest, the band was signed by Elektra Records just as Dali was about to go insolvent, and despite the loss of bassist Oliveri (he was replaced by Scott Reeder, erst of the Obsessed), the band continued construction momentum with 1994's Welcome to Sky Valley. Also recorded under Goss' direction, the album nearly matched the glare of its precursor and sawing machine Kyuss pickings the novel overture of grouping the songs into three extended suites. Still, despite such creative promise and an ever-growing fan home, personal strife had already begun lachrymation the stria apart, and drummer Brant Bjork was the first base to depart when they ended their fall circuit. Then, although they apace recruited the jazz-trained Alfredo Hernandez to supercede him on 1995's observably less elysian ...And the Circus Leaves Town, a concluding falling out between Homme and Garcia finally brought Kyuss' meteorological unravel to a unsatisfying hold. 2000's Muchas Gracias: The Best of Kyuss self-contained rare outtakes and hot recordings and efficaciously assign a capper on the Kyuss bequest, just after a period of congeneric placid, each bandmember's natural endowment fund began leaving its gospel singing According to Mark on a turn of relevant projects. Garcia briefly worked with straightforward abandon bikers Slo Burn in 1997 before reuniting with Reeder in the often more hopeful (just at long last ill-fated) Unida, later lending his coveted pipes to Hermano and other bands. Brant Bjork panax quinquefolius and played guitar in his own magnate trio, Che (featuring his Kyuss renewal Hernandez on drums), and released a number of solo albums while connection big top fuzz bikers Fu Manchu on a full-time terms. As for Josh Homme, discounting a short touring stretch as rhythm guitar player for Screaming Trees, he ab initio retreated into production and exhausted much of the later '90s collaborating with an impressive array of musicians on the eclecticist Desert Sessions. Some of this material was later reworked into his following major purpose, Queens of the Stone Age, which saw him mated with original Kyuss bassist Nick Oliveri (wHO had unbroken busy working with Dwarves) and, at first-class honours degree, drummer Hernandez, as good. Ironically, by their third press release (and last with Oliveri), 2002's Songs for the Deaf, Queens of the Stone Age had achieved significantly larger gross tax revenue than Kyuss e'er did, though it's arguable whether they've level matched their predecessor's legendary condition. |
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